Archive for May, 2017

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THE POETIC POL
By David Allen

It was 1971,
or maybe ’72,
when Eugene McCarthy
came to my college campus
to speak about his run for president,
and the continuing war in Vietnam.
And those in the audience,
who cut their hair and bought suits
from the Salvation Army
in order to be “Clean for Gene”
back in those heady days of 1968,
raised their right fists in the air and
yelled “Right On!”

The former senator from Minnesota
smiled and raised his arms in the air,
and gave the audience the Peace Sign.
Later, sitting with the staff of the campus
weekly newspaper in the cafeteria,
the old pol readied himself for questions
he’d heard thousands of time before.
But he was taken aback when the editor of the paper,
his long blonde hair falling to his shoulders
and a mischievous gleam in his sky blue eyes,
said he was tired of politics.
“Do you have any of your poetry with you?”
the young man asked.
McCarthy’s smile broadened.
“Sure,” he said, reaching into his coat pocket
and pulling out a thin chapbook.
“Please share some with us,” the editor said.

“This is called Courage After Sixty,”
McCarthy said.

“Now it is certain
There is no magic stone
No secret to be found
One must go
With the mind’s winnowed learning…”

And he held his small audience in rapt attention
for the next half hour, commenting
when he left that it was the best
time he had spent with students in years.

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Freight Yard 1

ON THE RAILROAD
By David Allen

I spent a good part of my youth
playing on the railroad
all my livelong days…

When I lived in Roslyn Heights,
on Long Island’s North Shore,
the tracks were my turf.
Located just a block from
our housing project,
the tracks were where I trolled
for soda bottles to cash in at the local deli.
They are where my friends got in trouble
for dropping rocks from a bridge
onto cars using the new expressway.

The freight yard was where we pretended
to be outlaws, running atop the empty boxcars,
jumping from car to car, shouting
“This is a holdup!”
Once I even rode a boxcar to the next town,
pretending I was a hobo, singing Woody Guthrie songs.

A few years later, living in Huntington Station,
the tracks were where we placed
pennies, collecting them after they
had been flattened by commuter trains.
As teens we rode the trains to the Big Apple,
our playground during the formative years.

Once I waited on the platform
with a hundred other commuters,
on my way to an internship
as a computer programmer.
The train came, but I stayed,
the scene was too depressing
to make it a career.

The last train episode I lived
before I escaped to other adventures,
was as a shipping clerk in the next town.
Every morning I boarded the train and hoped
the conductor wouldn’t get to me before my stop
so I could use the ticket some other day.

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Shooting an air torpedo aboard the USS New York City

THE WORLD WAS MY WORKPLACE
By David Allen

I was asked about my workplace
What was it like?

Well, there were desks and file cabinets,
Reporter cubicles in lines,
copy editors grouped in a circle.
Typedancing was the newsroom music,
Metal keys slapping rubber platens
With the constant clickity clack background music
Coming from the wire room, created by machines
Spinning out the national news.
Years later, silence descended when computers took over;
A serenity broken only when a reporter cursed loudly
At his phone when a key source clammed up.

But there were other workplaces for me
So many  more …

There was speeding down a narrow Thailand road
On the way to the Bridge over the River Kwai,
Dodging rundown buses taking up most of both lanes
As “Highway to Hell” blared from my car’s speakers.

And there was the USS New York City,
A submarine where I pressed the button
Discharging air torpedoes at
Phantom enemy shipping.

And I can’t forget circling on the only road in Nauru,
Where I noted the island’s center
Was the richest mine of bird guano in the world.
That was on my way to Tarawa, where my workspace
Was a sandy beach next to a rusting tank
Sunken in the ground for 50 years.

Once my workplace was another beach,
Drinking rum from a coconut on Peleliu
As the children paddled to collect presents
Dropped by Santa from an Air Force plane.

Another island workplace was Guam
Where a scared photographer declared
My driving was “Vehicular Bungee Jumping”
As we rumbled along mountain trails
Searching for the cave where a Japanese soldier hid for decades.
Guam, where my family survived an 8.1 magnitude earthquake
And I was absent for a week covering the damaged buildings and lives.

There was also that day in Northern Indiana
Where my workplace was a diner booth
Chatting about White Pride with a neo-Nazi skinhead,
Getting him to trust me so I could join his Aryan Christian Church
And take notes for a future front page expose.

In the same city my workplace was a walk
Around the county courthouse listening to a police spokesman
Tell me a woman recently murdered had collected evidence
That threatened the careers of his boss and the mayor.

Much earlier in my career
My workplace was a Virginia border town
Where I interviewed descendants
Of the Hatfields and McCoys,
Noting the West Virginia families
Lived in rundown trailers with
Huge satellite TV antennas in the yards

Today my workplace is my Indiana home
In an office crammed with books,
File cabinets, plastic boxes of old newsclips,
Piles of notebooks filled with scrawled poems,
And photos of the other days
When I trawled the world for news.

 

 

 

NEwsroom

Newsrooms, Petersburg (Va.)Progress-Index, 1978.

ON DEADLINE
By David Allen

The one thing I miss the most
about those busy newspaper days
is the energy rush responding
to calls on the police radio;
racing to beat the ambulances
and squad cars to the scene
of accidents and crimes.
Yeah, I was a disaster junky.
“Hey, Allen, we got two hours!”
an editor once shouted
as I left the noisy newsroom
to chase down a missing child report.
“You want a two or three hanky story?”
I yelled back, stuffing a notebook into
my back pocket as I scurried away.
I usually got to view the bodies
before the police tape went up
and interviewed families
before the news horde arrived.
My newsmates dubbed me “Dr. Death”
and my cubicle was roped off
by yellow police tape.
A sign above my desk read:
“Deadlines Amuse Me.”
The police radio always played
in the background – at work,
at play, and beside my bed at night.

Late in my career, in the Far East
as a Bureau Chief for Stars and Stripes,
the police radio was replaced
by emergency broadcasts
warning of typhoons, tsunamis,
earthquakes and volcanic eruptions.

I never examined why I was drawn
to the darker side of life
until I retired and pondered
about the emptiness I felt
when sirens wailed in the distance
and I didn’t have to go.
I loved chasing the news
because that’s when I felt alive.
And I told the stories better
than anybody else.

The Reporter 1979 (2)

Cop reporter at the Petersburg (Va.) Progress Index 1978.

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